Songs For Days To Come is a collaboration of music and poetry, navigating personal landscapes of home, faith, and friendship in times seemingly bent on shattering these human birthrights. In this multi-year project, composer Kinan Azmeh sets contemporary Syrian poems in chamber music soundscapes that meld Arabic and Western traditions with improvisation and spoken voices.

Commissioned by St Urban (a New York chamber music salon series), Songs for Days to Come adds another dimension to the chamber music canon and draws listeners through an intimate journey.

The pairing of Azmeh’s music with contemporary poetry of his far-flung compatriots is a reassuring expression of the freedom found in collaboration, art, music and poetry.


Songs for Days to Come, Vol. 1  features Kinan Azmeh with soprano Dima Orsho, cellist Kinan Abou-Afach, pianist Lenore Davis, and poets Lukman Derky, Mohammad Abou-Laban, Liwaa Yazji, Hazem al-Azmeh, and Adnan Odeh. 

Available on all the major digital stores | 50%  of the Sales will be donated to International Rescue Committee Refugee Youth Summer Academy in NJ. 


Songs for Days to Come, Vol. 2 (performed by Azmeh, Orsho, Abou-Afach, Davis) will premiere on November 30th 2017 at Symphony Space’s Leonard Nimoy Thalia Theatre. For more info and tickets visit here.

“Azmeh’s ear seems acutely attuned to that hidden

but always present stream.”

Michael McDonaugh


St Urban supports the IRC‘s Refugee Youth Summer Academy by donating revenues from Songs For Days To Come and through private donations.

The International Rescue Committee responds to the world’s worst humanitarian crises, helping to restore health, safety, education, economic well-being, and power to people devastated by conflict and disaster. Founded in 1933 at the call of Albert Einstein, the IRC is at work in over 40 countries and 28 U.S. cities.
Learn more about IRC.

IRC’s Refugee Youth Program in New Jersey supports 165 youth enrolled in Elizabeth and Roselle Public Schools. Students in grades K through 12 come from over 15 countries and have relocated to the United States in search of safety from violence and oppression in their home countries. In August 2017, 70 students will participate in IRC’s second NJ Refugee Youth Summer Academy at Kean University’s Human Rights Institute. Through English language enrichment and recreation activities, students thrive in a supportive and healing learning environment. Learn more about IRC’s Refugee Youth Program.


Described as “Intensely Soulful” by the New York Times and “Spellbinding” by the New Yorker, Kinan Azmeh’s utterly distinctive sound across different musical genres has been gaining international recognition. Born in Damascus, he has performed as soloist, chamber musician, improviser, and jazz artist around the world, from Paris’ Opera Bastille to the UN’s General Assembly.  He has performed as soloist with the Bavarian Radio Orchestra, the West-Eastern Divan Orchestra, the Knights Orchestra, the Osnabruck Symphony, and the Morgenland Festival Orchestra, to name a few.

In addition to his heavy touring schedule, Azmeh makes time to visit and play music with Syrian children in Jordanian refugee camps. He also performs with Yo-Yo Ma’s Silk Road Ensemble and was featured prominently in the documentary Music of Strangers.

Azmeh’s compositions include several works for solo, orchestra, and chamber groups; film, live illustration, and electronics. His discography includes three albums with his ensemble HEWAR, several soundtracks for film and dance, a duo album with pianist Dinuk Wijeratne, and a recent album with his New York Arabic/Jazz quartet.



Now in its fifth season, the New York chamber music series St Urban has reinvigorated the music salon through daring musical and literary programming, original commissioned works, and outstanding performances in intimate settings, including private homes and the Tenri Cultural Institute. At each salon, St Urban audiences meet and engage in discussions with performers, composers and writers to gain a deeper insight into their works and influences.

St Urban was founded by Lenore Davis who commissioned Azmeh because, “His music is personal, and yet speaks to the entire world. The poetry he has selected and his settings transcend politics. There is a warmth and elevated humaneness pouring out of his performances and his compositions.”